Monica Ali’s “Alentejo Blue” intricately weaves together the disparate lives of Mamarrosa’s inhabitants, both local Portuguese residents and transient foreigners, into a tapestry of displacement and longing. Through nine interconnected short stories, Ali deftly explores the emotional and geographical landscape of the fictional village, eschewing linear narrative in favor of a thematic focus on the interconnectedness of place and identity. Drawing parallels to Zagarell’s analysis of nineteenth-century narratives of community, Ali captures the essence of a community in flux, where the relentless march of globalization and glocalization shapes the lived experiences of its diverse denizens. Each character, from the elderly villager João to the English expatriate writer Stanton, offers a unique perspective on the universal themes of dislocation, loss, and yearning for connection. Against the backdrop of Mamarrosa’s rural tranquility, Ali deftly explores the complexities of contemporary migration and transnational identity, highlighting the ways in which individuals navigate the fluid boundaries of home and belonging. The village itself emerges as a microcosm of the global diaspora, where the search for identity and place transcends borders and cultures. Through Ali’s evocative prose and multi-faceted characterizations, “Alentejo Blue” invites readers on a journey of introspection and empathy, urging us to contemplate the interconnectedness of human experience in an increasingly fragmented world.